By Philip Shaw
<B><B>Described because the excellent fusion of poetry and storage band rock and roll (the unique inspiration used to be "rock and Rimbaud"), Horses belongs as a lot to the area of literary and cultural feedback because it does to the area of musicology. whereas Horses pays homage to the record's origins within the nascent manhattan punk scene, the book's middle lies in an in depth research of Patti Smith's lyrics and contains discussions of lyrical preoccupations: love, intercourse, gender, demise, desires, god, metamorphosis, intoxication, apocalypse and transcendence. Philip shaw demonstrates how Horses transformed the chances of either poetry and rock track; and the way it completed not anything under an entire and systematic derangement of the senses.
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Additional info for Patti Smith's Horses (33 1/3 Series)
C o m ON TEST CELEMONY MELODYNE 4 What You Can Do One of the projects I used as a testbed was a multitrack recording of a folk song where we had dubbed piano, penny whistle, electric guitar and a harmony vocal over a live take of vocals and fingerstyle guitar. The original guitar part was rhythmic, but after a bright start at 95bpm or so, slowed down gradually through the take, ending at 85bpm or so. Apart from the piano, none of the other parts had much rhythmic content, and there were lots of legato slurs in the whistle part.
Together, they make up a set of editing tools that should keep inquisitive sound designers busy for years to come. They are joined by two additional Resynthesis controls labelled Magnitudes and Phases. As you move the former away from its default zero position, Melodyne starts to fade out the actual sound of your recording, and to replace each note with a resynthesized version built from ‘pure’ sine waves. 1) can, with the difference that Melodyne can only change the character of existing audio; unlike Alchemy, it can’t abstract a sound and make it playable as a MIDI instrument.
And it’s not possible to select only part of an audio file in the tracks view, so if you want to, say, conform or detect the tempo of just one song section, you’ll need to go into the Note Edit view to select that section. I must emphasise, though, that these are minor issues. In the majority of real‑world situations, the new tools for working with tempo in Melodyne 4 are a pleasure to use, and they carry out their work with a musicality and transparency that is, as far as I know, completely unprecedented.
Patti Smith's Horses (33 1/3 Series) by Philip Shaw