By Craig Waddell
Craig Waddell offers essays investigating Rachel Carson’s influential 1962 publication, Silent Spring. In his foreword, Paul Brooks, Carson’s editor at Houghton Mifflin, describes the method that led to Silent Spring. In an afterword, Linda Lear, Carson’s contemporary biographer, remembers the tip of Carson’s existence and descriptions the eye that Carson’s publication and Carson herself obtained from students and biographers, cognizance that centred so minutely on her existence that it detracted from a spotlight on her paintings. The foreword by means of Brooks and the afterword by means of Lear body this exploration in the context of Carson’s existence and work. Contributors are Edward P. J. Corbett, Carol B, Gartner, Cheryll Glotfelty, Randy Harris, M. Jimmie Killingsworth, Linda Lear, Ralph H. Lutts, Christine Oravec, Jacqueline S. Palmer, Markus J. Peterson, Tarla Rai Peterson, and Craig Waddell. jointly, those essays discover Silent Spring’s effectiveness in conveying its worrying message and the rhetorical thoughts that helped create its large effect.
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Extra resources for And No Birds Sing: Rhetorical Analyses of Rachel Carson's Silent Spring
A young woman named Rosalind Wilson, daughter of the famous literary critic Edmund Wilson, had become a valuable member of Houghton Mifflin's editorial staff. During the summer months, her father liked to entertain various literary characters at his summer home on Cape Cod. One Monday morning in early summer, after attending such a party, Rosalind came into my office with an idea for a book, a book that she said was badly needed. She went on to describe the events of the weekend. There had been a storm on Saturday that had kept everyone indoors.
Hence, if hypothesis B were valid, one might expect to find in reviews of Silent Spring repeated allusions to the Cold War, nuclear weapons, radiation, and nuclear holocaust. In reading through the approximately six hundred reviews of Silent Spring included in the Carson Papers, I did find such references. 4 However, they cannot fairly be said to be a dominant feature of the reviews. , "It is the most important book that I have read for review"). These nine patterns interact and combine to privilege some readings of Silent Spring more than othersthat is, they define certain cultural experiences or expectations that forestructure responses to the text.
Rhys Roberts. New York: Modern, 1954. Bercovitch, Scavan. The American Jeremiad. Madison: U of Wisconsin P, 1978. Bookchin, Murray [Lewis Herber] Our Synthetic Environment. New York: Knopf, 1962. Briggs, Shirley A. 2 (MayJune 1992): 62. Brooks, Paul. The House of Life: Rachel Carson at Work. Boston: Houghton, 1972. Carson, Rachel. Papers. Yale Collection of American Literature. Beinecke Rare Book and Manuscript Library, Yale University . Preface. The Sea Around Us. Rev. ed. New York: Oxford UP, 1961.
And No Birds Sing: Rhetorical Analyses of Rachel Carson's Silent Spring by Craig Waddell