Get Alchemist of the Avant-Garde: The Case of Marcel Duchamp PDF

By John F. Moffitt

ISBN-10: 0791457109

ISBN-13: 9780791457108

A desirable ebook demonstrating the impression of alchemy and esoteric traditions at the mature artwork of Marcel Duchamp.

Acknowledged because the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the artwork international to this present day. Inventing the satirically dégagé perspective of "ready-made" art-making, Duchamp heralded the postmodern period and changed Pablo Picasso because the position version for avant-garde artists. John F. Moffitt demanding situations ordinarily authorised interpretations of Duchamp's artwork and personality through exhibiting that his mature artwork, after 1910, is basically drawn from the effect of the occult traditions. Moffitt demonstrates that the foremost to figuring out the cryptic which means of Duchamp's different artistic endeavors and writings is alchemy, the main pictorial of the entire occult philosophies and sciences.

This leading edge artwork historical past is written in a full of life, special sort. very like a prosecuting lawyer's short, Alchemist of the Avant-Garde argues its case with documented historic facts, now not theoretical types. a desirable learn, Moffitt's paintings can be welcomed by way of artists, paintings fans, and all these drawn to the cultural historical past of the trendy and postmodern eras.

“…this huge and profound learn is extremely informative, thought-provoking and horizon-broadening.” — AMBIX, magazine of the Society for the heritage of Alchemy and Chemistry

"The entire booklet is unforeseen to those that have by no means thought of Duchamp as an alchemist, starting from the professors who comprise him of their paintings background surveys to the authors of even fatter books approximately him. Moffitt's a prolific and extremely broadly cultured writer, with precise services within the Renaissance and within the topic of forgery in addition to in these such a lot enigmatic of recent artists, Joseph Beuys and Marcel Duchamp. i can't identify the other paintings historian who understands the esoteric box in addition to he does." — Joscelyn Godwin, writer of Theosophical Enlightenment

John F. Moffitt is Professor Emeritus of artwork heritage at New Mexico country college. he's the writer of Spanish portray; Occultism in Avant-Garde artwork: The Case of Joseph Beuys; Velázquez, práctica e thought: Estudios dispersos; artwork Forgery: The Case of the woman of Elche; the humanities in Spain; and Picturing Extraterrestrials: Alien Imagery in smooth Mass tradition. he's coauthor (with Santiago Sebastián) of O courageous New humans: the ecu Invention of the yank Indian.

Table of Contents

Introduction: Prosecuting the Duchamp Case
1. An Esoteric French early life for Duchamp: Symbolist tradition and Occultism
2. the discovery of the trendy Alchemist-Artist
3. The Cultural Shaping of an Artist-Iconoclast: Duchamp in France, 1887–1915
4. Duchamp's First Experiments in Esoteric and Alchemical artwork, 1910–1912

5. Duchamp in big apple with Esoteric buyers and the massive Glass, 1915–1923
6. Alchemical Emblematics and the Ready-Mades, 1913–1923
7. The Esoteric Fourth measurement and legislation of probability, 1895–1923
8. The Circle Closes, 1923–1968
Epilogue: The Prosecution Rests
Notes
Bibliography
Index

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Extra resources for Alchemist of the Avant-Garde: The Case of Marcel Duchamp

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Lévi generously acknowledged the sources of this ecstatic visionary notion that prophetically articulated Symbolist perceptualconceptual theory. ”51 Throughout his works, Lévi’s debt to Swedenborg is patent. An apt example is a poem by Lévi, “Correspondences” (1851), which directly inspired a much better known poem by Baudelaire with the same title, written ten years later (in part quoted above). Lévi’s Correspondences also provide a handy catalogue of later Symbolist leitmotifs, including the following assumptions: “Forms constitute a language which speaks to us while we are asleep.

10 This earnest performance by a radical avant-garde artist of his self-appointed messianic vocation, at least within twentieth-century art, is now a largely conventional manouver. It is also nothing new within the broader span of the history of art. Indeed, the provocative idea of God-like artistic creation appears to have been commonplace within classical literary theory. However, the real situation was otherwise. According to E. R. Curtius, Ancient Greece put the poet in the category of “god-like men,” alongside heroes, kings, heralds, priest, seers.

Accordingly, Wilson found ongoing symbolist literary effects and themes in such post-Symbolist writers as T. S. Eliot, Ezra Pound, Marcel Proust, Gertrude Stein, James Joyce, and a host of others. In his comprehensive listing of the post-Symbolists, Wilson also included the visual artists then affiliated with dadaism (“a queer special development of Symbolism”) and Surrealism, and all other modernist art movements, “piercing together poetic mosaics . . ” These artists then were practicing the typically early modernist compositional techniques of collage and assemblage.

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Alchemist of the Avant-Garde: The Case of Marcel Duchamp by John F. Moffitt


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